The film tells the story of the nationalist politician, Pierre Avenel, who is called to join Freemasonry, Avenel, after much reluctance and, without having much idea of what goes on inside this criminal gang, accepts the request. During the course, he is faced with the corruption, schemes, and political scandals of the time. He later discovers that Freemasons are conspiring with the Jews to encourage France to wage war against Germany.
Film based on Masonic documents obtained after Germany’s conquest of France. The documents are verified and even exposed to society, when faced with some of the contents of the document, one comes to know what was already suspected: that corruption, the power of international finance, the infiltration of the Parliament and the State, etc., they are the fruits of an international conspiracy. (read Judaism, followed by its puppet Freemasonry.)
STILL ABOUT THE MOVIE…
After the war, everyone involved was accused of collaborating with the “enemy.” While Robert Muzard (producer) escaped after 3 years in prison, Jean Marquès-Rivière (screenwriter) and Jean Mamy (director) were sentenced to death. The latter was executed on March 29, 1949 in Montrouge.
“One of the most unique and uniquely odd film I have seen.
Considering when and where it was made, the production values are almost unbelievably high. It seems to have been made in occupied France, with the clear intent that the Freemasons and Jews were masterminds in engineering the outbreak of war.
While proving the premise seems like it would be an uphill battle, the film demonstrates great care in citing historical events within France to back this up. Citing Freemason infiltration into the German government as well, for a National Socialist film, it correctly depicts the German Freemason agitator as a bad guy. One cannot dismiss the film’s premise.
Students of freemasonry and NWO detectives will find here the most lavish and detailed expositions of secretive Masonic ritual I have ever seen. Others more knowledgeable than I say it is stunningly accurate. This alone made it worth watching.
This is the true story of Jewish Masonic influence in the twentieth century. A masterpiece depicting REAL Masonic rituals and backroom dealings. Not to be taken lightly, especially since the director was executed by the allies six years after its release for “collaborating with the enemy”.